eleni-ira panourgia

Scoring: Paris

Scoring: Paris workshop led by Gascia Ouzounian, John Bingham-Hall, Fani Kostourou involved the development of graphic scores to explore the relationship between sound, architecture, design practices, and social life inside and around the site of Chapelle Charbon in Paris.

In collaboration with David Buck, we created the score Interplay: sonic passages for urban design to provide a reflective window into which past sounds, current spaces, and future scenarios of urban sonic landscapes can be considered. As Cornelius Cardew suggested, ‘notation and composition determine each other’ and our proposal provides a method to record existing urban sound environments and propose new ones, a live continuum that resonates over time. Human and natural activity can be traced through their produced soundscapes that can be further transformed to inspire forms of adaptable urban design.

Our notation illustrates sonic passages by forming an interplay between existing and imaginary soundscapes. Sonic passages act as means to reconsider the past and the current, and to build future spatial, material, temporal and social relationships in an urban area or a site. Using sensing systems attached to real time sound processing devices, sonic passages reflect urban environment parameters through sound. Existing sound sources are reprocessed according to movement, air quality and noise levels in several locations to enable states of direction (sound directed further from the original site to nest in a new area), diffusion (sound brought at the edge of the site’s borders to communicate it’s inner state), echo (sound exchange between sites), resonance (sound taking over a site) and dispersion (forming a distributed soundscape). The different modes provide ground for new social and spatial relationships.

Sonic passages operate beyond the discontinuity of physical barriers by allowing an exchange of activity inside, outside and around sites. Our work suggests new ways for listening to spaces, moving through spaces and imagining their future potential. These principles are not limited to this site but represent a method to consider a new approach to sonic urbanism.